Thursday, December 29, 2011

Fay Grim

  • Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g
FAY GRIM - DVD MovieFay Grim is Hal Hartley's version of the espionage thriller. Consequently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from no! velist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is now in his teens, but Henry remains at large, and Fay's "garbage man poet" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fay travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the ti! me being, from a string of disappointments, like No Such Th! ing and The Girl From Monday. --Kathleen C. Fennessy

Haiku Tunnel Poster Movie 11x17 Josh Kornbluth Warren Keith Leah Alperin

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Haiku Tunnel 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
When office temp Josh Kornbluth (played, in semiautobiographical style, by Josh Kornbluth) is offered a permanent position as secretary for a high-powered attorney, his entire world begins to crumble. The psychological pressure of commitment proves almost too much to bear, leading him to delay mailing 17 very important letters--an oversight that forces him into an all-night adventure that is simultaneously petty and epic. Kornbluth has gained prominence in the world of solo performance, but this is a fully realized film (albeit one in which Kornbl! uth occasionally talks directly to the camera, offering amusing commentary) that vividly captures the insidious anxiety that office work can inspire. Kornbluth's plump face is engaging; you'll find yourself oddly touched (and a little appalled) by his self-destructive behavior. Haiku Tunnel is a strong contribution to the expanding subgenre of office comedies. --Bret FetzerWhen office temp Josh Kornbluth (played, in semiautobiographical style, by Josh Kornbluth) is offered a permanent position as secretary for a high-powered attorney, his entire world begins to crumble. The psychological pressure of commitment proves almost too much to bear, leading him to delay mailing 17 very important letters--an oversight that forces him into an all-night adventure that is simultaneously petty and epic. Kornbluth has gained prominence in the world of solo performance, but this is a fully realized film (albeit one in which Kornbluth occasionally talks di! rectly to the camera, offering amusing commentary) that vivid! ly captu res the insidious anxiety that office work can inspire. Kornbluth's plump face is engaging; you'll find yourself oddly touched (and a little appalled) by his self-destructive behavior. Haiku Tunnel is a strong contribution to the expanding subgenre of office comedies. --Bret FetzerWhen office temp Josh Kornbluth (played, in semiautobiographical style, by Josh Kornbluth) is offered a permanent position as secretary for a high-powered attorney, his entire world begins to crumble. The psychological pressure of commitment proves almost too much to bear, leading him to delay mailing 17 very important letters--an oversight that forces him into an all-night adventure that is simultaneously petty and epic. Kornbluth has gained prominence in the world of solo performance, but this is a fully realized film (albeit one in which Kornbluth occasionally talks directly to the camera, offering amusing commentary) that vividly captures the insidious anxiety ! that office work can inspire. Kornbluth's plump face is engaging; you'll find yourself oddly touched (and a little appalled) by his self-destructive behavior. Haiku Tunnel is a strong contribution to the expanding subgenre of office comedies. --Bret FetzerHaiku Tunnel reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Broken Embraces [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era wi! th Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty son, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and ! his girl, and the culprit isn't as obvious as it seems. With Embrac es, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from Broken Embraces (Click for larger image)








A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a ! relationship with her boss Ernesto (José Luis Gómez), a very! wealthy , much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era with Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty so! n, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and his girl, and the culprit isn't as obvious as it seems. With Embraces, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from ! Broken Embraces (Click for larger image)